Visual Artist
based in
Manipur, India


I work with Photography/
Textiles/ Print/ Magazine/
Art Direction and other stuff.



Community
Storytelling
Craft
others+

















© Chingrimi Shimray 2025

2024: Achulay


2022: How do you see a flower?


2022: In search of Familiarity


2021: i- workshop


2021: Moving with Objects


2021: Our Belonging


2021: Madam Khangserla


2020: Tangkhul Kashan Kachon


2020: Art Edit


2019: Ajnaa


2019: Tiny Frames


2018: Baku


2018: Fireleap


2018: Skills Development


India in Love: Pheichak

2024

with Vogue, India
Photography ︎ Photo Essay ︎ Folk Dance
︎︎︎︎︎︎︎︎︎︎
The world offers very few places for lovers to meet.

When Vogue reached out to me to capture “Well-Dressed Young Romantic Lovers in my community” for their India in Love series, my first thought was: Who in my community would ever say yes to this? Here, people don’t really “go public” as couples until their engagement. Romance , let alone its open expression has almost no space to exist: not in our homes, not in our churches, not in our schools, not in public spaces.

This photo essay turns to the rehearsals of Pheichak , the Tangkhul folk dance, as a rare site of exploration. Within its movements, practices, and pauses, I began to look for what romance might mean when it has no sanctioned stage.





Young Lovers today only soft launch.  
















in frame Rebekah Keishing & Crozier Marak